Let’s soar above the clouds and look down in awe at the world below. Inspired by all things that reach for the sky, our Flights of Fancy collection features elegant two-pass engraved motifs in a carefully curated color palette that bring visual and textile brilliance to each and every handwritten correspondence.
Engraved Hot Air Balloon: With a flamed burst, one floats upward toward the heavens. The view takes the breath away, as does this engraved card from our Flights of Fancy collection, which features our elegant hot air balloon. Perfect for the correspondent who fancies unbridled leisure and adventure alike. Continue reading →
We recently took a spin around the factory floor and came across one of our talented press artisans engraving custom cards for Cartier. Thoughtfully, he laid out all of the elements and layers that an engraved card boasting four ink colors goes through to obtain perfection. Which, we must say, this card certainly possesses.
In this edition of “The Making Of” we take a look at our new Signature Collection and how it went from just an idea to an exquisitely crafted piece of stationery. Engraved and paired with envelope liners imported from India, this collection is one that should only find its way into the hands of the most appreciative stationery connoisseur.
The Signature Collection began as inspiration from a far away land. If you have traveled to the Far East, it was our creative team’s hope that the designs would take you back. If you haven’t been, the rich culture they have re-created via correspondence will certainly inspire you to make the trip.
First, the team curated a color palette. Red and gold, the iconic colors of Asia, serve as the core hues while shades of aqua were pulled from nature and Asian artwork. Continue reading →
Next month, graphic designer and engraving expert extraordinaire Nancy Sharon Collins will publish The Complete Engraver, an informative and elegant homage to the classic art. Seeing as how said classic art and our paper go together like Fred and Ginger, we thought Collins a perfect addition to our Post Script Q&A series. Here, the former New Yorker (and current Louisianan) shares stories of her parents’ notes, a New Orleans estate filled with paper and a small stack of treasured love letters.
When did your interest in social stationery engraving begin? 1976 during graduate school at the Hartford Art School. I was introduced to Lehman Brothers in New Haven and I fell in love with commercial engraving: going on press knocks my socks off; I love the smell of ink and paper and the sound of small presses (metal against metal, fly wheels, iron and steel.)
And so, we went on a mission to piece together the history of engraving. There is, we found, quite a bit of information available on the engraving of images, which goes back a long, long time: cavemen did it; so did the Egyptians.
But we were more curious about that point in history when someone thought, My, wouldn’t this piece of paper that I’m sending look so much lovelier engraved?
How can you pick out the guy who loves what he does? He’s the one who smiles when you ask him about it. And then keeps smiling throughout the entire interview.
That’s Bob Gregory, a native of North Adams, Massachusetts (where our paper magic happens) who works an engraving press like no one’s business. He’s also a Red Sox fan and could never work at a job in which he was “just sitting there.”
That’s good news for us, and whoever has the pleasure of receiving a box of stationery created by Gregory’s skilled hands.
Here, he chats with us about being a “wedding man,” naming his engraving press and his one degree of separation from a certain blue-eyed crooner.