These exquisite gold engraved cards and notes were created for a recent client by Fresh Ink, located in Jackson, Mississippi. The client, a “mother of the groom,” wanted distinguished stationery for correspondence regarding parties, notes of appreciation and general letter writing during such a special family time.
We often get asked the differences between the various printing processes we use to craft our stationery, especially between engraving and thermography. Of course, the best way to tell the difference is to pay a visit to your local stationer so you can feel the difference. However, below we’ve outlined all of the different processes and what makes them unique.
Engraving is the finest, most distinct form of three-dimensional “raised printing.” No other paper manufacturer offers our engraving quality, craftsmanship and level of service.
As a highly skilled craft dating back to the 16th century, engraving conveys an unspoken message of distinction and timelessness. It has a warmth and elegance all its own. Running your fingers over a piece of engraved stationery reveals the textures unique to engraving — finely detailed, raised letters with slight indentations on the reverse side of the paper. There is no substitute for true engraving.
How it Works
Let’s soar above the clouds and look down in awe at the world below. Inspired by all things that reach for the sky, our Flights of Fancy collection features elegant two-pass engraved motifs in a carefully curated color palette that bring visual and textile brilliance to each and every handwritten correspondence.
Engraved Hot Air Balloon: With a flamed burst, one floats upward toward the heavens. The view takes the breath away, as does this engraved card from our Flights of Fancy collection, which features our elegant hot air balloon. Perfect for the correspondent who fancies unbridled leisure and adventure alike.
The evolution of our engraved starfish holiday card…
We recently took a spin around the factory floor and came across one of our talented press artisans engraving custom cards for Cartier. Thoughtfully, he laid out all of the elements and layers that an engraved card boasting four ink colors goes through to obtain perfection. Which, we must say, this card certainly possesses.
First, the engraving plate is made.
The card is then run through the engraving press one time for each ink color.
Et voila, an exquisitely engraved bird for the most special correspondence.
“A striking monogram, combining the first letters of the full name or the first and last name is an enviable possession,” wrote Jean Wilde Clark in A Desk Book on the Etiquette of Social Stationery.
The book was printed by Eaton, Crane (yes, that Crane) and Pike in 1910. However, the monogram is still a possession envied — one that, in the age of e-communication, is as coveted as ever.
In this edition of “The Making Of” we take a look at our new Signature Collection and how it went from just an idea to an exquisitely crafted piece of stationery. Engraved and paired with envelope liners imported from India, this collection is one that should only find its way into the hands of the most appreciative stationery connoisseur.
The Signature Collection began as inspiration from a far away land. If you have traveled to the Far East, it was our creative team’s hope that the designs would take you back. If you haven’t been, the rich culture they have re-created via correspondence will certainly inspire you to make the trip.
First, the team curated a color palette. Red and gold, the iconic colors of Asia, serve as the core hues while shades of aqua were pulled from nature and Asian artwork.
Next month, graphic designer and engraving expert extraordinaire Nancy Sharon Collins will publish The Complete Engraver, an informative and elegant homage to the classic art. Seeing as how said classic art and our paper go together like Fred and Ginger, we thought Collins a perfect addition to our Post Script Q&A series. Here, the former New Yorker (and current Louisianan) shares stories of her parents’ notes, a New Orleans estate filled with paper and a small stack of treasured love letters.
When did your interest in social stationery engraving begin?
1976 during graduate school at the Hartford Art School. I was introduced to Lehman Brothers in New Haven and I fell in love with commercial engraving: going on press knocks my socks off; I love the smell of ink and paper and the sound of small presses (metal against metal, fly wheels, iron and steel.)
Whether one considers a handwritten note or invitation a nostalgic luxury he or she refuses to give up, or simply a staple of any proper stationery wardrobe, all would agree that engraving is the grande dame of printing processes.
And so, we went on a mission to piece together the history of engraving. There is, we found, quite a bit of information available on the engraving of images, which goes back a long, long time: cavemen did it; so did the Egyptians.
But we were more curious about that point in history when someone thought, My, wouldn’t this piece of paper that I’m sending look so much lovelier engraved?