Post Script: Calligrapher Ashantai Yungai

When it comes to projects of the epistolary variety, calligrapher Ashantai Yungai, founder of Distinctive Inscriptions, isn’t one to back down from a challenge. So, when a bride asked him to pen 1,000 envelopes for her Hawaiian wedding, he not only agreed, he blogged about the two-week-long endeavor. With a good nib, a little Joni Mitchell and a bag of flour, he proved victorious. Perhaps it’s Yungai’s science background (he’s a chemist by trade), but it seems as though he has found the formula for the perfect flourish.

distinctive inscriptions calligraphy founder ashantai yungai

Ashantai Yungai, born to flourish.

Of course, we would never ask him to share his ‘secret sauce,’ be he does share with us missives pertaining to pens, sisters and the future of the handwritten word.

When did your interest in calligraphy begin?
June 2008. I am a chemist by trade. A friend saw my handwriting in my lab notebook and asked, “Did you write that? Wow man, that’s pretty cool! You should do calligraphy. People do wedding invitations and envelopes using calligraphy.” I thought little of it at the time. I bought a calligraphy pen on a whim one day while shopping for art supplies for my son. I began writing with it. From there I was off to the races. 

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Post Script: Calligrapher Angela Welch

Quite often we get asked about one particular wedding invitation design we offer. More specifically, we get asked about the ‘font’ on that invitation.

silver bevel calligraphy personalized wedding invitationThe font in question, we tell them, is actually calligraphy done by one Angela Welch.

calligraphy artist angela welch pen and pauperThe bubbly Alabamian (is there any other kind?) has been providing her fanciful flourishes for us for years, and so we thought it was about time we highlighted the woman behind the nib.

When did your interest in calligraphy begin?
Before the age of six for sure. In first grade I never knew my place in the reader when my teacher called on me to begin reading — I was too busy trying to write a “fancy” alphabet of my own.

My first calligraphy job was in the sixth grade and a teacher asked me to letter, in Old English, the heading of a flyer to be printed. I loved the challenge of making a beautiful mark with lots of different mediums. My fascination with flourishing as a whole arm movement began in the third grade.

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