“A striking monogram, combining the first letters of the full name or the first and last name is an enviable possession,” wrote Jean Wilde Clark in A Desk Book on the Etiquette of Social Stationery.
The book was printed by Eaton, Crane (yes, that Crane) and Pike in 1910. However, the monogram is still a possession envied — one that, in the age of e-communication, is as coveted as ever.
In this edition of “The Making Of” we take a look at our new Signature Collection and how it went from just an idea to an exquisitely crafted piece of stationery. Engraved and paired with envelope liners imported from India, this collection is one that should only find its way into the hands of the most appreciative stationery connoisseur.
The Signature Collection began as inspiration from a far away land. If you have traveled to the Far East, it was our creative team’s hope that the designs would take you back. If you haven’t been, the rich culture they have re-created via correspondence will certainly inspire you to make the trip.
First, the team curated a color palette. Red and gold, the iconic colors of Asia, serve as the core hues while shades of aqua were pulled from nature and Asian artwork.
Next month, graphic designer and engraving expert extraordinaire Nancy Sharon Collins will publish The Complete Engraver, an informative and elegant homage to the classic art. Seeing as how said classic art and our paper go together like Fred and Ginger, we thought Collins a perfect addition to our Post Script Q&A series. Here, the former New Yorker (and current Louisianan) shares stories of her parents’ notes, a New Orleans estate filled with paper and a small stack of treasured love letters.
When did your interest in social stationery engraving begin?
1976 during graduate school at the Hartford Art School. I was introduced to Lehman Brothers in New Haven and I fell in love with commercial engraving: going on press knocks my socks off; I love the smell of ink and paper and the sound of small presses (metal against metal, fly wheels, iron and steel.)
Though we are thoroughly enjoying the beach and afternoon treats of the frozen variety, we simply can’t wait for snowmen and partridges in pear trees. In the meantime, we’ll start preparing for your arrival.
Love & Letters,
Crane & Co.
It goes without saying, but the holidays and gifts are two of our favorite things here at Crane & Co. Luckily, the time to enjoy both will be here before we know it. In celebration of Christmas in July, and because getting an early start on one’s holiday shopping is always a good thing, here are our picks for everyone on your list.
Stocking Stuffers for the Staff
It is said that the best gift is an item one would never buy for his/herself. Personalized stationery is (all too) often one of those items. For the boss, a set of personalized note cards for her dedicated employees is certainly the perfect way to express genuine gratitude.
When it comes to projects of the epistolary variety, calligrapher Ashantai Yungai, founder of Distinctive Inscriptions, isn’t one to back down from a challenge. So, when a bride asked him to pen 1,000 envelopes for her Hawaiian wedding, he not only agreed, he blogged about the two-week-long endeavor. With a good nib, a little Joni Mitchell and a bag of flour, he proved victorious. Perhaps it’s Yungai’s science background (he’s a chemist by trade), but it seems as though he has found the formula for the perfect flourish.
Of course, we would never ask him to share his ‘secret sauce,’ be he does share with us missives pertaining to pens, sisters and the future of the handwritten word.
When did your interest in calligraphy begin?
June 2008. I am a chemist by trade. A friend saw my handwriting in my lab notebook and asked, “Did you write that? Wow man, that’s pretty cool! You should do calligraphy. People do wedding invitations and envelopes using calligraphy.” I thought little of it at the time. I bought a calligraphy pen on a whim one day while shopping for art supplies for my son. I began writing with it. From there I was off to the races.
Give Us Liberty
More than 200 years ago, Stephen Crane decided to make a statement. And it wasn’t with his fashion forward breeches or well-groomed mutton chops. It was, rather, with the name of a paper mill he opened in 1770. He called it the Liberty Paper Mill and, for purveyors of our American heritage, was named so just two years after the British occupied Boston. – and just five miles away. A tres bold move, if we do say so ourselves.
Whether you’re into swirly or straight, diminutive or daring, she can turn initials into works of art. A monogram, after all, is the ultimate expression of individuality. So it made sense, then, that we get personal about, well, getting personal.
When did your interest in the monogram begin?
My interest in monograms began shortly after being hired by Crane. I was hoping to develop an art-based career. I found such an opportunity in making monograms. Monograms allowed me to become creative, thereby making them my art.