Lauren Kay will write you a letter: All you have to do is ask. The New York resident has penned requested missives to her childhood sitter’s daughter and a high school boyfriend’s little sister, just to name a couple, as well as unrequested — yet very much appreciated, we’re sure — ones to her own friends and family. One can read about her correspondence escapades — and request one of his or her own — on her few-years-old site, Letters From Lauren. Here, Nora Ephron’s biggest fan talks big zip codes, love letters and her favorite scene from When Harry Met Sally (hint: it doesn’t take place in a diner).
When did your interest in the epistolary world begin? It all started with box of Crane & Co. engraved ecru stationery, a gift from my grandmother. I was nine. It came with a fancy pink pen, which I was only allowed to use for proper correspondence. In hindsight, it was all a ploy to get me writing thank-you notes (I grew up down south where manners were practiced with emphasis). But it worked! And I’ve been writing letters ever since.
In a previous life, Dan Morgan worked in a photo lab. Now, the Donaldson, PA, native is the one taking the pictures — his website shows off his stellar work — and uses his keen eye for detail during his day job as a typesetter in our stationery factory.
How did you end up at Crane? I was working at a photo lab at the time and actually saw the job in a Valpack ad for a typesetter position.
What exactly does a typesetter do? A typesetter’s job is to make a customer’s stationery design work for what they want — even when they may not know it’s what they want. For example, we have requests sometimes to “please use your discretion and make it look good.” I love those types of jobs, because I can use my creativity and tweak the layout or sizes to make it look great. I write those job numbers down and check after a few weeks to see if they’ve returned the proof and what comments they had about the design I came up with.
Do you have a favorite or memorable design?
Well, every job is special for somebody — we all want to make our mark — but I did enjoy working on an order that featured an engraved Redskins helmet logo, because I’m a football fan.
Since you’re looking at type styles all day, do you find yourself critiquing them when you’re not working? [Laughs.] I do. When I’m driving, I’ll notice the fonts on highway signs.
Have a question for Dan? Email our Crane Concierge at firstname.lastname@example.org.
Leah Dieterich is gracious every day. It isn’t that she is regularly showered with gifts or good deeds, but rather the thxthxthx.com founder is just thankful for the little things: Tote Bags (“for being gender-neutral purses”) and a New Longboard (“for allowing my afterwork exercise to be considered play”), to name just a couple.
Her notes of gratitude can be followed on Twitter and read in her new book. Here, Dieterich talks with us about long distance letters, being a lefty and why a signature is her favorite part of the writing process.
With a degree in sociology under her belt, Diane Gottsman knew teaching etiquette was a logical career path. She started out teaching abused and neglected children the art as a way to empower them, then moved on to helping the professional sector. As if to emphasize her love for the cause, she now boasts her own line of stationery (welcome to the club!). Here, the purveyor of all things proper talks stamp love, Amelia Earhart and the etiquette rule she’ll never break.
How long have you been teaching etiquette and how did you end up doing so? I’ve been teaching etiquette for 15 years, starting with children in the beginning and later evolving into the corporate and university arena. I was shocked at the number of successful professionals that I interacted with daily that were truly gifted in business but lacked social skills. Continue reading →
Mindy Lockard, aka The Gracious Girl, can’t remember a time when she wasn’t interested in etiquette. The former finishing school graduate began spreading the gracious gospel professionally nine years ago, pontificating on everything from dinner party manners to interview poise. Here, she speaks to us about her college pen pal, e-mail formality and why she’s always touchy-feely with her paper.
How did you end up teaching etiquette? It was just after I had my first daughter, Elle. A friend — who knew I had gone to finishing school as a child — asked if I would teach her daughter. At first I declined, but then after I thought about the life lessons I wanted to give my own child — confidence and kindness — I knew that spreading the word about manners was exactly where I wanted to focus my attention. Continue reading →
Donovan Beeson loves a good ka-thunk: that sound one hears as the mail drops into the postbox. As the co-founder of the Letter Writers Alliance — an organization dedicated to, among other things, providing letter writing tools as well as pen pals — she hears that sound quite often. Here, Beeson talks to us about “goodie boxes,” her motley crew of pen pals and her position on supermarket stamps.
When did your interest in the epistolary world begin?
I’ve always loved sending and receiving mail. I can remember my maternal grandmother sending what she called “goodie boxes” to our house at every holiday. They were simple collections of candy and small toys, but everything was magical because it was wrapped up special and came in a box. Now, I’m the one who sends the boxes of goodies and I like it just as much being the sender as being the receiver.
How did the LWA come to be?
My business partner Kathy started her stationery business 16 Sparrows in 2003. I came on to help with production when she started graduate school, and together we evolved the business into something less like a business and more like a lifestyle. In 2007, we started the Letter Writers Alliance because the most common statement we would receive was that people loved our stationery but “no one writes letters anymore.” We decided to create a network so that all of those letter lovers would be able to write to each other and no mailbox would ever go hungry again.
What do you enjoy most about your job?
The people — I have met so many different, interesting and thoroughly engaging human beings through letters. In my return pile right now is an active duty soldier, a 12-year-old equestrian, a retired engineer, a teacher returning to work soon and so many more. I get to see slices of life that I would know nothing about, direct from their sources. I love it. Continue reading →
Next year, Stationery Trendsmagazine will celebrate its fifth anniversary, a statement to the perseverance of the people who cherish the art of handwritten correspondence. For the magazine’s founding editor, Sarah Schwartz, stationery and letters were a natural extension of a feisty, book-fueled imagination. Here, the former summer camp letter writer extraordinaire talks about pen pals, lunch box notes and why we should think of Abraham Lincoln the next time we’re angry with someone.
When did your interest in the epistolary world begin?
To me, writing letters and corresponding is a natural extension to the world of reading. From the time I learned to read at age four, I have loved entering and creating imaginary or past worlds. A great letter is just that, really — a little glimpse into another very personal world.
Next month, graphic designer and engraving expert extraordinaire Nancy Sharon Collins will publish The Complete Engraver, an informative and elegant homage to the classic art. Seeing as how said classic art and our paper go together like Fred and Ginger, we thought Collins a perfect addition to our Post Script Q&A series. Here, the former New Yorker (and current Louisianan) shares stories of her parents’ notes, a New Orleans estate filled with paper and a small stack of treasured love letters.
When did your interest in social stationery engraving begin? 1976 during graduate school at the Hartford Art School. I was introduced to Lehman Brothers in New Haven and I fell in love with commercial engraving: going on press knocks my socks off; I love the smell of ink and paper and the sound of small presses (metal against metal, fly wheels, iron and steel.)