Mindy Lockard, aka The Gracious Girl, can’t remember a time when she wasn’t interested in etiquette. The former finishing school graduate began spreading the gracious gospel professionally nine years ago, pontificating on everything from dinner party manners to interview poise. Here, she speaks to us about her college pen pal, e-mail formality and why she’s always touchy-feely with her paper.
How did you end up teaching etiquette? It was just after I had my first daughter, Elle. A friend — who knew I had gone to finishing school as a child — asked if I would teach her daughter. At first I declined, but then after I thought about the life lessons I wanted to give my own child — confidence and kindness — I knew that spreading the word about manners was exactly where I wanted to focus my attention. Continue reading →
Donovan Beeson loves a good ka-thunk: that sound one hears as the mail drops into the postbox. As the co-founder of the Letter Writers Alliance — an organization dedicated to, among other things, providing letter writing tools as well as pen pals — she hears that sound quite often. Here, Beeson talks to us about “goodie boxes,” her motley crew of pen pals and her position on supermarket stamps.
When did your interest in the epistolary world begin?
I’ve always loved sending and receiving mail. I can remember my maternal grandmother sending what she called “goodie boxes” to our house at every holiday. They were simple collections of candy and small toys, but everything was magical because it was wrapped up special and came in a box. Now, I’m the one who sends the boxes of goodies and I like it just as much being the sender as being the receiver.
How did the LWA come to be?
My business partner Kathy started her stationery business 16 Sparrows in 2003. I came on to help with production when she started graduate school, and together we evolved the business into something less like a business and more like a lifestyle. In 2007, we started the Letter Writers Alliance because the most common statement we would receive was that people loved our stationery but “no one writes letters anymore.” We decided to create a network so that all of those letter lovers would be able to write to each other and no mailbox would ever go hungry again.
What do you enjoy most about your job?
The people — I have met so many different, interesting and thoroughly engaging human beings through letters. In my return pile right now is an active duty soldier, a 12-year-old equestrian, a retired engineer, a teacher returning to work soon and so many more. I get to see slices of life that I would know nothing about, direct from their sources. I love it. Continue reading →
Next year, Stationery Trendsmagazine will celebrate its fifth anniversary, a statement to the perseverance of the people who cherish the art of handwritten correspondence. For the magazine’s founding editor, Sarah Schwartz, stationery and letters were a natural extension of a feisty, book-fueled imagination. Here, the former summer camp letter writer extraordinaire talks about pen pals, lunch box notes and why we should think of Abraham Lincoln the next time we’re angry with someone.
When did your interest in the epistolary world begin?
To me, writing letters and corresponding is a natural extension to the world of reading. From the time I learned to read at age four, I have loved entering and creating imaginary or past worlds. A great letter is just that, really — a little glimpse into another very personal world.
Next month, graphic designer and engraving expert extraordinaire Nancy Sharon Collins will publish The Complete Engraver, an informative and elegant homage to the classic art. Seeing as how said classic art and our paper go together like Fred and Ginger, we thought Collins a perfect addition to our Post Script Q&A series. Here, the former New Yorker (and current Louisianan) shares stories of her parents’ notes, a New Orleans estate filled with paper and a small stack of treasured love letters.
When did your interest in social stationery engraving begin? 1976 during graduate school at the Hartford Art School. I was introduced to Lehman Brothers in New Haven and I fell in love with commercial engraving: going on press knocks my socks off; I love the smell of ink and paper and the sound of small presses (metal against metal, fly wheels, iron and steel.)
When it comes to projects of the epistolary variety, calligrapher Ashantai Yungai, founder of Distinctive Inscriptions, isn’t one to back down from a challenge. So, when a bride asked him to pen 1,000 envelopes for her Hawaiian wedding, he not only agreed, he blogged about the two-week-long endeavor. With a good nib, a little Joni Mitchell and a bag of flour, he proved victorious. Perhaps it’s Yungai’s science background (he’s a chemist by trade), but it seems as though he has found the formula for the perfect flourish.
Ashantai Yungai, born to flourish.
Of course, we would never ask him to share his ‘secret sauce,’ be he does share with us missives pertaining to pens, sisters and the future of the handwritten word.
When did your interest in calligraphy begin? June 2008. I am a chemist by trade. A friend saw my handwriting in my lab notebook and asked, “Did you write that? Wow man, that’s pretty cool! You should do calligraphy. People do wedding invitations and envelopes using calligraphy.” I thought little of it at the time. I bought a calligraphy pen on a whim one day while shopping for art supplies for my son. I began writing with it. From there I was off to the races.
Like chocolate and peanut butter or Fred and Ginger, stationery and monograms just work perfectly together. Making sure that they do is our resident monogram artist, Jackie Brown.
Whether you’re into swirly or straight, diminutive or daring, she can turn initials into works of art. A monogram, after all, is the ultimate expression of individuality. So it made sense, then, that we get personal about, well, getting personal.
When did your interest in the monogram begin? My interest in monograms began shortly after being hired by Crane. I was hoping to develop an art-based career. I found such an opportunity in making monograms. Monograms allowed me to become creative, thereby making them my art.